“Splinter” bedside table

The French furniture style Louis XV is evolved during the period 1730-1780.
Designed for the comfort of the noble house, this style is soft, based on the curve and refined.
This exemplary is a Venetian Rococò armchair, with cabriolet legs and carved golden wood.

product details MAL16

Oil on canvas, with wooden satin frame, depicting a scene of gender of the Venetian painter Giovanni Bertoluzzo. The picture is accompanied by a certificate of quality assurance and assessment issued by the gallery owner Ferdinand Balin.

AUTHOR’S AND PAINTING’S NEWS:
Giovanni Bertoluzzo was born in Carmignano di Brenta in 1938, has lived and worked in Fontaniva where he ran an art gallery which was as a meeting point for poets and painters of various cultural groups and associations in the Veneto region. The artist has exhibited many of his works in the most important exhibitions of national and international (Rovigo, Belluno, Turin, Frankfurt, Paris, etc …). He is one of the most representative painters dell’Ideovisivismo veneto. Its works are a tribute to his hometown area, the Brenta’s area, the river which crosses some Venetian provinces: glimpses particular, the life along the river, the relationship with the nature of the campaign. Sometimes, painting solitary corners, he witnessed the extraordinary survival of places not yet subject to the domination of man. But in “Hunting” you get the idea of men’s life through one of the most ancient and primitive human activities. With the hunt man uses nature to survive. At the center there is a dog trained to hunt game, which takes between the mouth as soon as the prey killed, presumably a quail. There is a natural frame of the forest, the thin trunks of some trees, shrubs and dry leaves illuminated by a light radially from the bottom.

Still life oil painting on canvas depicting kitchen of poor craftsmanship.

PAINTING’S NEWS:
One of the genres chosen by artists for many centuries is the still life. It was chosen both as an exercise of style, technique and color because it was an easy subject, static and always different. In this painting, the author puts together a few kitchen utensils, including a mortar, a ladle, a bowl and a pitcher, which brings on the right side vegetable with a bulb and roots. Volume and surface of the objects are made together soft strokes of clarity and brightness of the same but different shades. For example, the pitcher is used all stages of clarity of turquoise, from the nearest blue Prussia for the areas in shadow that is closest to heaven for the areas highlighted. The composition is put out by a neutral background color formed by pastel shades that blend smoothly merging so the space of the fund and the first floor of a presumed wall and a table.

Atelier in Milan’s work carried out by expert craftsmen representing one of the most important paintings of the artist Winslow Homer.

AUTHOR’S AND PAINTING’S NEWS:
The painting is titled “Breezng up (A fair wind)”, reply of the original work made by Winslow Homer in 1876 and exhibited at the National Gallery of Art in Washington. In 1867 the artist went to Paris where he absorbed the contrasts of shades of Manet, well in vivid scene en plein air painted here. The world of the sea was one of the subjects chosen by the painter; many are sailors, waves, storms marine, small boats, fishermen and sharks. As in this work in which four young men, wearing clothing typical of the small middle class Americans, are off between the waves on a small boat with sail

Paintings made in 1980 by the artist Relois, with attached certificate of authenticity bearing the same date and issued by a.i.a. Association Italian Art.

PAINTING’S NEWS:
The painting is a portrait of a girl sitting on a lawn. The figure, from somatic youth, keep closed her eyes, in act of rest or meditation, as if she were enjoying the ecstatic moment immersed in the nature, as her facial expression says. The artist uses colors, lines and strokes in different ways to separate compositional elements of the painting. In particular the girl in the foreground is described only by the blacks and white contours silhouette, which, emphasizing edges of light and shadow, give plasticity and volume to the forms. The yield of the natural background is resolved with a series of large and soft strokes with hues lit, which together weave a colorful uniform flst texture thst fills character shapes, giving the impression that the girl is in metamorphosis with the nature.

Serigraphy in 23 colors, multiple on canvas, limited edition to 200 copies, showing the work “The horses of Diomedes” painted by Giorgio de Chirico in 1970

AUTHOR’S AND PAINTING’S NEWS:
This serigraphy is a tribute to the great work of G. de Chirico. The reproduction of the “Horses of Diomedes” of the great metaphysical painter is identical to the original in every particular. The technical ability of the press has got the privilege of the artist’s meticulous hand running it only 200 copies. The figures of the horses back as a iconographic constant in the work of de Chirico: this one in particular was one of the first painted in the Neo-metaphysics, or that moment where the artistic painter examined its previous work with the filters’ use of strong colors and with the innocent eyes of a child. The title refers to the similarity between the equine animal and the life of Diomede, mythological character in the past known to be “thief and horses-tamer.”

“Porta Portello – 5^ pedalata padovana”, Tono Zancanaro, ink on paper.

Drawings made during the 5th cycle Padua, framed with protective glass.

AUTHOR’S AND PAINTING’S NEWS:
Antonio Zancanaro (Padova, 1906-1985), better known as Tono, was a Paduan painter, engraver, illustrator and mosaicist. The drawing of 1982 was achieved in his hometown, during the “5 ^ Pedalata Padovana”, a city event dedicated to the fans of the cycling. The work shows up a bicycle, symbol of the celebrated sport, which you can found in another artist’s work dating back to 1981 with similar subject (see listing QU30). In the background is marked by architectural and caption written in ink the historic Porta Portello di Padova, a famous gateway, stage sets for urban bike paths. The dashed lines broken evokes the unmistakable touch almost comic of the venetian artist.

Framed drawing in ink with protective glass. Portrayed subject is cycling and the sport celebration.

AUTHOR’S AND PAINTING’S NEWS:
Antonio Zancanaro (Padova, 1906-1985), better known as Tono, was a Paduan painter, engraver, illustrator and mosaicist. The drawing of 1981 was achieved in his hometown and shows up a bicycle, a symbol of the celebrated sport, behind which stand three females figures with her eyes fixed to a point that is outside of the picture. On the top Zancanaro writes a block capitals slogan-inn about the sport. The lack of light and academic performance emphasizes the caricatural aspect of each individual item. Style, technique and subject are similar in another work that Zancanaro draws in 1982 (see listing QU30) for the “5th Pedalata Padovana”.